There’s no winner, there’s no loser, there’s no victim or bad guy. “How to be good people, how to be good parents, and how to love and take care of the people we love. Partially because of the memory of being young, but also from the questions that I found I have to ask myself all the time, particularly as a parent,” Sachs said. Their relationship becomes the heart of the film. While the adults work through the realities and personal costs of gentrification, their early teenaged sons Jake (Theo Taplitz) and Tony (Michael Barbieri) become fast friends, and try to bridge the gap. The new film is the third in what might be considered a trilogy of films set in the intimate spaces of New York apartments, this time chronicling the difficulties between a new-to-Brooklyn family and the shop keeper tenant they’ve inherited from patriarch Brian’s (Greg Kinnear) recently deceased father. And as Sachs mentioned in response, his relationship with Sundance goes back to 1988, when he visited as a 14-year-old, before it was called Sundance, and before even Cooper was in the fold. Little MenĪs John Cooper mentioned before the world premiere screening of Little Men at the Eccles Theater on Monday night, this marks the sixth time that director Ira Sachs has presented a film at the Festival, the last being Love Is Strange in 2014. Check back each morning for roundups and insights into our experiences throughout the Festival. is dispatching its writers to daily screenings and events to capture the 10 days of festivities during the 2016 Sundance Film Festival in Park City, Utah.
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